Evil eye beads, that is one of the first things that spring to mind as it pertains to glass art with its colorful and pleasant appearance, is not really a decorative product, but also attracts attention with the objective of used from past to present. Throughout history, humanity has always used objects that it believes in its talisman to guard itself from evil and get rid of its troubles and fears. It’s believed why these symbols and signs dating back again to monotheistic religions keep evil energies away. The symbol, which can be used for this specific purpose in virtually every culture irrespective of geographical borders, is the eye.
The art of glass applied by the Egyptian masters who came to the city for initially in the Arab Inn in Kemeralti, because of the Turks who learned the work from the masters. With the production of colored glasses with time, a person’s eye symbol was added to the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, which can be accepted together of the very most precious works of glass art that has been going on for 3000 years without any change, has a special place. Evil eye beads, which continue to be made by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among probably the most preferred souvenirs today. If you intend to have a memory to remain on your own vacation, you can think of the evil eye bead.
Even yet in the periods prior to the invention of the writing, the start of pottery they made to meet the fundamental needs of people is dated to 7,000 BC in Anatolia. The initial pots, shaped by hand-wrapping and cooked on an open fire, reveal that İzmir and its surrounding settlements such as Bayraklı, Urla, Foça and Samos will also be a ceramic center.
The fact that İzmir is very rich in clay, which will be the main material of the pottery, stands apart together of the most important reasons for the development of art in this region. Another reason is the necessity for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and coconut oil, which has a unique place in the city’s history.
Menemen comes first among the districts where pottery is developed. The key reason why the amphora of the old times is known as the Menemen Testis today is that production remains going on in this region. Although there are numerous alternatives produced from different materials, cubes, pots and glasses made of clay are still considered a precious gift. Although there are changes in the construction techniques, the continuation of this art from generation to generation in Menemen proves its importance in the culture of the district.
The straw mat made by touching the reeds, which would be the swamp plants, has been in existence considering that the 14th century. Even although the production of wickerwork, that has been applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, remains being done in the region. Because of keeping it cool, you will find straws that are used as ground destiny or canopy while visiting the Tire markets today.