Evil eye beads, that is among the first things that spring to mind when it comes to glass art using its colorful and pleasant appearance, is not really a decorative product, but also attracts attention with the objective of used from past to present. Throughout history, humanity has always used objects that it believes in its talisman to guard itself from evil and eliminate its troubles and fears. It’s believed that these symbols and signs dating back again to monotheistic religions keep evil energies away. The symbol, which will be used for this purpose in nearly every culture no matter geographical borders, is the eye.
The art of glass applied by the Egyptian masters who stumbled on the city for initially in the Arab Inn in Kemeralti, as a result of the Turks who learned the task from the masters. With the production of colored glasses over time, a person’s eye symbol was included with the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, which can be accepted together of the very precious works of glass art that has been going on for 3000 years without any change, features a special place. Evil eye beads, which continue being produced by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among probably the most preferred souvenirs today. If you want to have a memory to remain on your own vacation, you can consider the evil eye bead.
Even in the periods ahead of the invention of the writing, the start of pottery they made to generally meet the fundamental needs of people is dated to 7,000 BC in Anatolia. The very first pots, shaped by hand-wrapping and cooked on an open fire, reveal that İzmir and its surrounding settlements such as Bayraklı, Urla, Foça and Samos may also be a ceramic center.
The fact İzmir is very rich in clay, which will be the main material of the pottery, stands out together of the most crucial reasons for the development of art in this region. Another reason is the necessity for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and coconut oil, which has a unique devote the city’s history.
Menemen comes first among the districts where pottery is developed. The primary reason why the amphora of the old times is recognized as the Menemen Testis today is that production is still going on in this region. Although there are numerous alternatives produced from different materials, cubes, pots and glasses made from clay remain considered a precious gift. Although there are changes in the construction techniques, the continuation with this art from generation to generation in Menemen proves its importance in the culture of the district.
The straw mat produced by touching the reeds, which would be the swamp plants, has been doing existence since the 14th century. Even though the production of wickerwork, that has been applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, continues to be being done in the region. As a result of keeping it cool, you will find straws which are used as ground destiny or canopy while visiting the Tire markets today.