To my daughter’s henna
Evil eye beads, that is among the first things that one thinks of in regards to glass art using its colorful and pleasant appearance, is not really a decorative product, but also attracts attention with the purpose of being used from past to present. Throughout history, humanity has always used objects that it believes in its talisman to guard itself from evil and remove its troubles and fears. It is believed that these symbols and signs dating back to monotheistic religions keep evil energies away. The symbol, which is used for this purpose in virtually every culture irrespective of geographical borders, is the eye.
The art of glass applied by the Egyptian masters who stumbled on the town for the first time in the Arab Inn in Kemeralti, thanks to the Turks who learned the job from the masters. With the production of colored glasses over time, the eye symbol was put into the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, that will be accepted as you of the most precious works of glass art that’s been going on for 3000 years without the change, includes a special place. Evil eye beads, which continue being created by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among the most preferred souvenirs today. If you intend to have a memory to remain in your vacation, you are able to think of the evil eye bead.
Even yet in the periods prior to the invention of the writing, the beginning of pottery they made to meet the fundamental needs of human beings is dated to 7,000 BC in Anatolia. The first pots, shaped by hand-wrapping and cooked on an open fire, reveal that İzmir and its surrounding settlements such as Bayraklı, Urla, Foça and Samos will also be a ceramic center.
The fact İzmir is very wealthy in clay, which is the main material of the pottery, stands out together of the most crucial reasons for the development of art in this region. Another reason is the necessity for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and coconut oil, which has a unique place in the city’s history.
Menemen comes first among the districts where pottery is developed. The primary reason why the amphora of the old times is called the Menemen Testis today is that production continues to be going on in this region. Although there are lots of alternatives produced from different materials, cubes, pots and glasses made from clay remain considered a precious gift. Although you will find changes in the construction techniques, the continuation of this art from generation to generation in Menemen proves its importance in the culture of the district.
The straw mat produced by touching the reeds, which will be the swamp plants, has been doing existence considering that the 14th century. Even though the production of wickerwork, which was applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, remains being done in the region. Because of keeping it cool, you’ll find straws that are used as ground destiny or canopy while visiting the Tire markets today.