Evil eye beads, which can be one of many first issues that one thinks of when it comes to glass art using its colorful and pleasant appearance, is not really a decorative product, but also attracts attention with the purpose of being used from past to present. Throughout history, humanity has always used objects so it believes in its talisman to protect itself from evil and get rid of its troubles and fears. It is believed these symbols and signs dating back again to monotheistic religions keep evil energies away. The symbol, which will be used for this function in virtually every culture regardless of geographical borders, could be the eye.
The art of glass applied by the Egyptian masters who came to the town for the very first time in the Arab Inn in Kemeralti, thanks to the Turks who learned the work from the masters. With the production of colored glasses as time passes, the attention symbol was added to the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, which can be accepted together of the most precious works of glass art that’s been going on for 3000 years without any change, includes a special place. Evil eye beads, which continue to be created by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among probably the most preferred souvenirs today. If you wish to have a memory to keep on your vacation, you are able to consider the evil eye bead.
Even yet in the periods before the invention of the writing, the beginning of pottery they made to meet up the fundamental needs of people is dated to 7,000 BC in Anatolia. The initial pots, shaped by hand-wrapping and cooked on an open fire, reveal that İzmir and its surrounding settlements such as Bayraklı, Urla, Foça and Samos may also be a ceramic center.
The fact İzmir is very wealthy in clay, which is the main material of the pottery, stands apart together of the most crucial reasons for the development of art in this region. Another reason is the necessity for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and coconut oil, which has a unique place in the city’s history.
Menemen comes first on the list of districts where pottery is developed. The main reason why the amphora of the old times is called the Menemen Testis today is that production continues to be going on in this region. Although there are numerous alternatives produced from different materials, cubes, pots and glasses made of clay are still considered a precious gift. Although there are changes in the construction techniques, the continuation of the art from generation to generation in Menemen proves its importance in the culture of the district.
The straw mat made by touching the reeds, which are the swamp plants, has been around existence considering that the 14th century. Even although the production of wickerwork, that has been applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, remains being done in the region. Due to keeping it cool, you’ll find straws which are used as ground destiny or canopy while visiting the Tire markets today.