patchwork cat, quilt, quilting, stitch, stitching, whimsical, playful, stitching... - Fun

patchwork cat, quilt, quilting, stitch, stitching, whimsical, playful, stitching…

patchwork cat, quilt, quilting, stitch, stitching, whimsical, playful, stitching on fabric, hand stitching, art, artist, mixed media art, textile artist, Sue Spargo

Evil eye beads, that is among the first things that one thinks of when it comes to glass art using its colorful and pleasant appearance, is not just a decorative product, but in addition attracts attention with the goal of being used from past to present. Throughout history, humanity has always used objects so it believes in its talisman to safeguard itself from evil and remove its troubles and fears. It is believed that these symbols and signs dating back again to monotheistic religions keep evil energies away. The symbol, that is used for this specific purpose in nearly every culture no matter geographical borders, is the eye.

The art of glass applied by the Egyptian masters who stumbled on the city for initially in the Arab Inn in Kemeralti, as a result of the Turks who learned the job from the masters. With the production of colored glasses over time, a person’s eye symbol was put into the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, that is accepted as you of the very precious works of glass art that’s been going on for 3000 years without any change, includes a special place. Evil eye beads, which continue to be made by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among the most preferred souvenirs today. If you intend to have a memory to stay on your own vacation, you can think of the evil eye bead.

Even yet in the periods prior to the invention of the writing, the start of pottery they made to meet the essential needs of humans is dated to 7,000 BC in Anatolia. The first pots, shaped by hand-wrapping and cooked on an open fire, show that İzmir and its surrounding settlements such as Bayraklı, Urla, Foça and Samos may also be a ceramic center.

The truth that İzmir is very wealthy in clay, which can be the main material of the pottery, stands apart as one of the most important reasons for the development of art in this region. Another reason is the necessity for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and coconut oil, which has a unique devote the city’s history.

Menemen comes first among the districts where pottery is developed. The main reason why the amphora of the old times is called the Menemen Testis today is that production is still going on in this region. Although there are many alternatives produced from different materials, cubes, pots and glasses made of clay continue to be considered a precious gift. Although there are changes in the construction techniques, the continuation with this art from generation to generation in Menemen proves its importance in the culture of the district.

The straw mat produced by touching the reeds, which would be the swamp plants, has been in existence since the 14th century. Even though the production of wickerwork, that has been applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, continues to be being done in the region. Because of keeping it cool, you can find straws which can be used as ground destiny or canopy while visiting the Tire markets today.

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