Not a big fan of the fabric, but certainly a design worth trying 🙂
Evil eye beads, that will be one of many first things that spring to mind as it pertains to glass art using its colorful and pleasant appearance, is not just a decorative product, but also attracts attention with the goal of used from past to present. Throughout history, humanity has always used objects that it believes in its talisman to safeguard itself from evil and remove its troubles and fears. It’s believed that these symbols and signs dating back to monotheistic religions keep evil energies away. The symbol, which can be used for this function in virtually every culture regardless of geographical borders, could be the eye.
The art of glass applied by the Egyptian masters who stumbled on the town for the first time in the Arab Inn in Kemeralti, as a result of the Turks who learned the task from the masters. With the production of colored glasses over time, the eye symbol was added to the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, which will be accepted as one of the most precious works of glass art that has been going on for 3000 years without the change, includes a special place. Evil eye beads, which remain made by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among probably the most preferred souvenirs today. If you want to have a memory to remain on your vacation, you are able to think of the evil eye bead.
Even yet in the periods before the invention of the writing, the beginning of pottery they made to meet up the basic needs of humans is dated to 7,000 BC in Anatolia. The initial pots, shaped by hand-wrapping and cooked on an open fire, reveal that İzmir and its surrounding settlements such as Bayraklı, Urla, Foça and Samos may also be a ceramic center.
The truth that İzmir is very rich in clay, that will be the key material of the pottery, sticks out as you of the most important reasons for the development of art in this region. Another reason is the requirement for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and essential olive oil, which has a unique place in the city’s history.
Menemen comes first one of the districts where pottery is developed. The main reason why the amphora of the old times is known as the Menemen Testis today is that production continues to be going on in this region. Although there are numerous alternatives produced from different materials, cubes, pots and glasses made from clay continue to be considered a precious gift. Although you can find changes in the construction techniques, the continuation of the art from generation to generation in Menemen proves its importance in the culture of the district.
The straw mat created by touching the reeds, which will be the swamp plants, has been around existence since the 14th century. Even though the production of wickerwork, which was applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, is still being done in the region. Due to keeping it cool, you’ll find straws which can be used as ground destiny or canopy while visiting the Tire markets today.