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Evil eye beads, which is one of the first issues that one thinks of in regards to glass art having its colorful and pleasant appearance, is not really a decorative product, but also attracts attention with the purpose of being used from past to present. Throughout history, humanity has always used objects so it believes in its talisman to safeguard itself from evil and remove its troubles and fears. It’s believed these symbols and signs dating back again to monotheistic religions keep evil energies away. The symbol, which can be used for this purpose in virtually every culture no matter geographical borders, could be the eye.
The art of glass applied by the Egyptian masters who stumbled on the town for the first time in the Arab Inn in Kemeralti, thanks to the Turks who learned the task from the masters. With the production of colored glasses with time, the attention symbol was added to the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, which will be accepted together of the very most precious works of glass art that has been going on for 3000 years without any change, includes a special place. Evil eye beads, which remain produced by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among the absolute most preferred souvenirs today. If you wish to have a memory to remain on your vacation, you are able to think of the evil eye bead.
Even in the periods prior to the invention of the writing, the start of pottery they made to meet up the essential needs of humans is dated to 7,000 BC in Anatolia. The very first pots, shaped by hand-wrapping and cooked on an open fire, show that İzmir and its surrounding settlements such as Bayraklı, Urla, Foça and Samos may also be a ceramic center.
The fact İzmir is very wealthy in clay, that is the main material of the pottery, stands apart together of the main reasons for the development of art in this region. Another reason is the need for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and coconut oil, which has a unique place in the city’s history.
Menemen comes first one of the districts where pottery is developed. The main reason why the amphora of the old times is known as the Menemen Testis today is that production is still going on in this region. Although there are lots of alternatives produced from different materials, cubes, pots and glasses made from clay remain considered a precious gift. Although you will find changes in the construction techniques, the continuation with this art from generation to generation in Menemen proves its importance in the culture of the district.
The straw mat made by touching the reeds, which will be the swamp plants, has been around existence because the 14th century. Even although production of wickerwork, which was applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, continues to be being done in the region. Because of keeping it cool, you will find straws which can be used as ground destiny or canopy while visiting the Tire markets today.