Evil eye beads, that will be one of the first things that come to mind when it comes to glass art having its colorful and pleasant appearance, is not really a decorative product, but also attracts attention with the objective of used from past to present. Throughout history, humanity has always used objects that it believes in its talisman to guard itself from evil and remove its troubles and fears. It’s believed why these symbols and signs dating back again to monotheistic religions keep evil energies away. The symbol, that will be used for this function in almost every culture irrespective of geographical borders, could be the eye.
The art of glass applied by the Egyptian masters who came to the city for initially in the Arab Inn in Kemeralti, because of the Turks who learned the task from the masters. With the production of colored glasses as time passes, the attention symbol was added to the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, which can be accepted as you of the very precious works of glass art that’s been going on for 3000 years without the change, includes a special place. Evil eye beads, which remain created by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among the most preferred souvenirs today. If you intend to have a memory to stay on your own vacation, you are able to think of the evil eye bead.
Even in the periods before the invention of the writing, the start of pottery they made to meet up the basic needs of humans is dated to 7,000 BC in Anatolia. The first pots, shaped by hand-wrapping and cooked on an open fire, reveal that İzmir and its surrounding settlements such as for example Bayraklı, Urla, Foça and Samos will also be a ceramic center.
The fact that İzmir is very wealthy in clay, which is the main material of the pottery, sticks out together of the most important reasons for the development of art in this region. Another reason is the requirement for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and olive oil, which has a unique invest the city’s history.
Menemen comes first one of the districts where pottery is developed. The key reason why the amphora of the old times is known as the Menemen Testis today is that production continues to be going on in this region. Although there are many alternatives produced from different materials, cubes, pots and glasses made of clay remain considered a precious gift. Although there are changes in the construction techniques, the continuation of this art from generation to generation in Menemen proves its importance in the culture of the district.
The straw mat produced by touching the reeds, which are the swamp plants, has been around existence since the 14th century. Even although the production of wickerwork, that has been applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, remains being done in the region. As a result of keeping it cool, you’ll find straws that are used as ground destiny or canopy while visiting the Tire markets today.