Evil eye beads, which will be one of the first issues that spring to mind when it comes to glass art using its colorful and pleasant appearance, is not just a decorative product, but also attracts attention with the goal of being used from past to present. Throughout history, humanity has always used objects that it believes in its talisman to protect itself from evil and get rid of its troubles and fears. It is believed why these symbols and signs dating back again to monotheistic religions keep evil energies away. The symbol, that will be used for this purpose in almost every culture no matter geographical borders, could be the eye.
The art of glass applied by the Egyptian masters who stumbled on the city for the first time in the Arab Inn in Kemeralti, thanks to the Turks who learned the work from the masters. With the production of colored glasses with time, a person’s eye symbol was put into the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, that will be accepted as one of the very most precious works of glass art that’s been going on for 3000 years without any change, includes a special place. Evil eye beads, which remain produced by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among the absolute most preferred souvenirs today. If you intend to have a memory to remain in your vacation, you are able to consider the evil eye bead.
Even in the periods prior to the invention of the writing, the start of pottery they made to meet the essential needs of human beings is dated to 7,000 BC in Anatolia. The first pots, shaped by hand-wrapping and cooked on an open fire, show that İzmir and its surrounding settlements such as for example Bayraklı, Urla, Foça and Samos may also be a ceramic center.
The fact İzmir is very rich in clay, which will be the main material of the pottery, stands apart together of the most crucial reasons for the development of art in this region. Another reason is the necessity for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and essential olive oil, which has a unique invest the city’s history.
Menemen comes first on the list of districts where pottery is developed. The primary reason why the amphora of the old times is called the Menemen Testis today is that production is still going on in this region. Although there are many alternatives produced from different materials, cubes, pots and glasses manufactured from clay remain considered a precious gift. Although there are changes in the construction techniques, the continuation of the art from generation to generation in Menemen proves its importance in the culture of the district.
The straw mat made by touching the reeds, which will be the swamp plants, has been around existence because the 14th century. Even though the production of wickerwork, that was applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, remains being done in the region. Because of keeping it cool, you will find straws which are used as ground destiny or canopy while visiting the Tire markets today.