Evil eye beads, which is among the first items that come to mind when it comes to glass art with its colorful and pleasant appearance, is not really a decorative product, but in addition attracts attention with the purpose of used from past to present. Throughout history, humanity has always used objects so it believes in its talisman to safeguard itself from evil and eliminate its troubles and fears. It’s believed why these symbols and signs dating back to monotheistic religions keep evil energies away. The symbol, which will be used for this function in virtually every culture irrespective of geographical borders, may be the eye.
The art of glass applied by the Egyptian masters who stumbled on the town for the first time in the Arab Inn in Kemeralti, thanks to the Turks who learned the task from the masters. With the production of colored glasses with time, a person’s eye symbol was included with the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, which is accepted as you of the very precious works of glass art that has been going on for 3000 years without any change, includes a special place. Evil eye beads, which continue to be produced by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among probably the most preferred souvenirs today. If you intend to have a memory to keep on your vacation, you can think of the evil eye bead.
Even in the periods prior to the invention of the writing, the start of pottery they made to generally meet the fundamental needs of humans is dated to 7,000 BC in Anatolia. The first pots, shaped by hand-wrapping and cooked on an open fire, reveal that İzmir and its surrounding settlements such as Bayraklı, Urla, Foça and Samos will also be a ceramic center.
The fact İzmir is very rich in clay, that will be the key material of the pottery, stands out as one of the most important reasons for the development of art in this region. Another reason is the requirement for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and olive oil, which has a unique invest the city’s history.
Menemen comes first one of the districts where pottery is developed. The primary reason why the amphora of the old times is recognized as the Menemen Testis today is that production is still going on in this region. Although there are lots of alternatives produced from different materials, cubes, pots and glasses manufactured from clay remain considered a precious gift. Although there are changes in the construction techniques, the continuation with this art from generation to generation in Menemen proves its importance in the culture of the district.
The straw mat produced by touching the reeds, which are the swamp plants, has been in existence since the 14th century. Even though the production of wickerwork, that was applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, remains being done in the region. Because of keeping it cool, you’ll find straws which are used as ground destiny or canopy while visiting the Tire markets today.