Evil eye beads, that is among the first issues that one thinks of in regards to glass art having its colorful and pleasant appearance, is not only a decorative product, but additionally attracts attention with the purpose of being used from past to present. Throughout history, humanity has always used objects that it believes in its talisman to safeguard itself from evil and get rid of its troubles and fears. It’s believed these symbols and signs dating back to monotheistic religions keep evil energies away. The symbol, that is used for this specific purpose in almost every culture aside from geographical borders, could be the eye.
The art of glass applied by the Egyptian masters who came to the town for the first time in the Arab Inn in Kemeralti, because of the Turks who learned the job from the masters. With the production of colored glasses with time, the eye symbol was added to the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, which will be accepted together of the very most precious works of glass art that has been going on for 3000 years without the change, features a special place. Evil eye beads, which continue being produced by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among probably the most preferred souvenirs today. If you intend to have a memory to stay on your own vacation, you are able to think of the evil eye bead.
Even in the periods prior to the invention of the writing, the beginning of pottery they made to generally meet the basic needs of human beings is dated to 7,000 BC in Anatolia. The very first pots, shaped by hand-wrapping and cooked on an open fire, reveal that İzmir and its surrounding settlements such as Bayraklı, Urla, Foça and Samos will also be a ceramic center.
The fact that İzmir is very wealthy in clay, which will be the key material of the pottery, stands apart as one of the main reasons for the development of art in this region. Another reason is the necessity for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and olive oil, that includes a unique place in the city’s history.
Menemen comes first one of the districts where pottery is developed. The main reason why the amphora of the old times is known as the Menemen Testis today is that production continues to be going on in this region. Although there are many alternatives produced from different materials, cubes, pots and glasses made of clay continue to be considered a precious gift. Although you can find changes in the construction techniques, the continuation of the art from generation to generation in Menemen proves its importance in the culture of the district.
The straw mat produced by touching the reeds, which would be the swamp plants, has been in existence because the 14th century. Even although the production of wickerwork, that was applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, is still being done in the region. Because of keeping it cool, you can find straws which are used as ground destiny or canopy while visiting the Tire markets today.