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Evil eye beads, which is one of many first items that one thinks of in regards to glass art having its colorful and pleasant appearance, is not just a decorative product, but also attracts attention with the purpose of getting used from past to present. Throughout history, humanity has always used objects so it believes in its talisman to protect itself from evil and eliminate its troubles and fears. It is believed why these symbols and signs dating back to monotheistic religions keep evil energies away. The symbol, that is used for this reason in virtually every culture regardless of geographical borders, could be the eye.
The art of glass applied by the Egyptian masters who came to the town for the first time in the Arab Inn in Kemeralti, as a result of the Turks who learned the task from the masters. With the production of colored glasses as time passes, the eye symbol was included with the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, which will be accepted as one of the very precious works of glass art that’s been going on for 3000 years without the change, features a special place. Evil eye beads, which remain produced by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among probably the most preferred souvenirs today. If you intend to have a memory to remain on your vacation, you can think of the evil eye bead.
Even yet in the periods ahead of the invention of the writing, the start of pottery they made to generally meet the fundamental needs of people is dated to 7,000 BC in Anatolia. The very first pots, shaped by hand-wrapping and cooked on an open fire, reveal that İzmir and its surrounding settlements such as for instance Bayraklı, Urla, Foça and Samos are also a ceramic center.
The fact İzmir is very wealthy in clay, which will be the key material of the pottery, stands apart as one of the most important reasons for the development of art in this region. Another reason is the need for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and coconut oil, that includes a unique place in the city’s history.
Menemen comes first on the list of districts where pottery is developed. The primary reason why the amphora of the old times is called the Menemen Testis today is that production remains going on in this region. Although there are lots of alternatives produced from different materials, cubes, pots and glasses made of clay are still considered a precious gift. Although there are changes in the construction techniques, the continuation of the art from generation to generation in Menemen proves its importance in the culture of the district.
The straw mat made by touching the reeds, which are the swamp plants, has been around existence since the 14th century. Even although production of wickerwork, that was applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, remains being done in the region. Due to keeping it cool, you will find straws that are used as ground destiny or canopy while visiting the Tire markets today.