Evil eye beads, which is one of many first issues that one thinks of in regards to glass art with its colorful and pleasant appearance, is not really a decorative product, but in addition attracts attention with the objective of being used from past to present. Throughout history, humanity has always used objects so it believes in its talisman to safeguard itself from evil and get rid of its troubles and fears. It is believed that these symbols and signs dating back to monotheistic religions keep evil energies away. The symbol, that is used for this reason in virtually every culture regardless of geographical borders, may be the eye.
The art of glass applied by the Egyptian masters who came to the city for the first time in the Arab Inn in Kemeralti, because of the Turks who learned the work from the masters. With the production of colored glasses as time passes, the eye symbol was included with the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, that is accepted together of the most precious works of glass art that has been going on for 3000 years without any change, includes a special place. Evil eye beads, which remain produced by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among the most preferred souvenirs today. If you want to have a memory to keep in your vacation, you are able to consider the evil eye bead.
Even yet in the periods before the invention of the writing, the beginning of pottery they made to generally meet the fundamental needs of people is dated to 7,000 BC in Anatolia. The first pots, shaped by hand-wrapping and cooked on an open fire, reveal that İzmir and its surrounding settlements such as Bayraklı, Urla, Foça and Samos may also be a ceramic center.
The truth that İzmir is very wealthy in clay, that is the key material of the pottery, sticks out together of the main reasons for the development of art in this region. Another reason is the necessity for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and olive oil, that includes a unique invest the city’s history.
Menemen comes first one of the districts where pottery is developed. The key reason why the amphora of the old times is called the Menemen Testis today is that production remains going on in this region. Although there are many alternatives produced from different materials, cubes, pots and glasses made from clay are still considered a precious gift. Although you will find changes in the construction techniques, the continuation of this art from generation to generation in Menemen proves its importance in the culture of the district.
The straw mat made by touching the reeds, which would be the swamp plants, has been in existence since the 14th century. Even although the production of wickerwork, that has been applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, is still being done in the region. Because of keeping it cool, you’ll find straws which are used as ground destiny or canopy while visiting the Tire markets today.