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Evil eye beads, which can be among the first items that one thinks of as it pertains to glass art with its colorful and pleasant appearance, is not really a decorative product, but in addition attracts attention with the objective of being used from past to present. Throughout history, humanity has always used objects that it believes in its talisman to protect itself from evil and eliminate its troubles and fears. It’s believed that these symbols and signs dating back again to monotheistic religions keep evil energies away. The symbol, that is used for this function in almost every culture regardless of geographical borders, may be the eye.

The art of glass applied by the Egyptian masters who stumbled on the city for the first time in the Arab Inn in Kemeralti, as a result of the Turks who learned the job from the masters. With the production of colored glasses with time, a person’s eye symbol was included with the beads, and evil eye beads, which we often encounter today, were created. The evil eye bead, which will be accepted as one of the very most precious works of glass art that has been going on for 3000 years without any change, includes a special place. Evil eye beads, which continue being created by traditional craftsmen in Görece Neighborhood of Menderes and Kurudere village of Kemalpaşa district, are among the absolute most preferred souvenirs today. If you want to have a memory to remain on your own vacation, you can consider the evil eye bead.

Even in the periods prior to the invention of the writing, the start of pottery they made to meet up the essential needs of humans is dated to 7,000 BC in Anatolia. The first pots, shaped by hand-wrapping and cooked on an open fire, reveal that İzmir and its surrounding settlements such as for example Bayraklı, Urla, Foça and Samos are also a ceramic center.

The truth that İzmir is very wealthy in clay, that is the key material of the pottery, stands apart as one of the most important reasons for the development of art in this region. Another reason is the requirement for containers to store wines produced from grapes, the gift of Izmir’s fertile lands, and olive oil, that includes a unique place in the city’s history.

Menemen comes first among the districts where pottery is developed. The main reason why the amphora of the old times is called the Menemen Testis today is that production remains going on in this region. Although there are numerous alternatives produced from different materials, cubes, pots and glasses manufactured from clay remain considered a precious gift. Although you will find changes in the construction techniques, the continuation of this art from generation to generation in Menemen proves its importance in the culture of the district.

The straw mat produced by touching the reeds, which are the swamp plants, has been around existence since the 14th century. Even though the production of wickerwork, that was applied by the villagers of Tire, Boynuyoğun and was intensely cultivated, continues to be being done in the region. Due to keeping it cool, you’ll find straws that are used as ground destiny or canopy while visiting the Tire markets today.

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